Thursday, 27 December 2007

Somebody should have held on

So yeah, I was depressed: that was me alone, alone and more alone. At least I put on a marvellous act, one that no one could see through including my mother. But it was hard being a clock without hands; it was hard being something I wasn’t. Everybody knows that no one can keep up an act all their life and not get caught, well I thought everybody knew. Obviously I was wrong.

Six and a half hours of smiling, having conversations about blue skies, boys and butterflies; walking around the school with big burdens on my shoulders that no one was willing to take off was stressful, but I guess I couldn’t blame it on them, how were they supposed to know that smiley, bubbly, lucky charlotte had a demon, one that wouldn’t leave her alone- it more or less had her possessed- but who was I to moan it was the only comfort I had, the only thing that was constantly with me.

I have to admit it got to me. I have to admit that there was an urge inside me to tell someone, an urge to break out and show people the real me, the depressed me. That was the me that no one saw; no one wanted to see. Eventually that feeling overcame me, I couldn’t do it anymore, and it leaked out of me. I couldn’t stop it. I tried, but then suddenly WOOSH it came pouring out – as fast as the Niagara Falls and as painful as being exorcised.

I went back down the next day. I knew it was going to be different; but I didn’t know that the people that once loved, adored, cherished me would no longer even smile when I looked their way. The look changed from an ear to ear grin when they used to see me, to a look of pity; the one look I never wanted to be in the firing line of. I knew they didn’t want to be near me so I set myself a mission, a mission to make distance, and trust me I made distance. I sent them somewhere where there is no return flight home. They wanted distance so I made it for them.

Maybe my decision was harsh, maybe my reaction was harsh, maybe the whole thing was harsh but at the time it seemed like an awfully good idea; it still seems like an awfully good idea. Technically it wasn’t my fault when you have a baby the birth certificate you sign is a short contract just without the small print, you promise to feed your child, look after your child and be there when they need you! My parents weren’t there, they didn’t hold me when I cried, they didn’t ask me how my school day were, sooner or later it just came back round on them. My parents ended up felling the physical pain for a short fifteen minutes that I had to deal with mentally everyday. In a way I helped them, I helped them see where I was coming from and where I was going I helped them find out in fifteen minutes what it would have taken them the rest of their lives to understand. Not everything’s what it seems. I had to do it o only for me but for them.

Since that I haven’t been back. I’ve lived my life without them, without the people I once needed. I’ve now realized I never needed them because I never had them in the first place. I bet they never thought that smiley, bubbly lucky Charlotte would ever make a harsh decision like that, want to be alone or see through their rubbish charade. So yeah, I was depressed that was me alone, alone and more alone, but now I’ll always have something to keep me company on cold, rainy nights.

3 comments:

  1. Hey, Shani. Thanks for posting this; it’s great to be able to read some more of your work.

    There’s some good writing in your piece. I like your use of metaphor (‘a clock without hands’) and simile (‘as painful as being exorcised’). It hadn’t occurred to me that exorcism might be a painful process, but this interesting bit of writing made perfect sense to me. I also liked the idea that your narrator saw a birth certificate as a kind of contract, and that she thought of her mother and father as some how breaking the conditions of parenthood. Very nice.

    I also liked the way that you ended the piece with a return to the opening lines. That circularity gave the whole thing a sense of structure, and made the ending feel natural and unforced.

    There are a couple of little grammar issues. Make sure you capitalise the name Charlotte throughout the piece. Use ‘they didn’t ask me how my school days were’ rather than ‘they didn’t ask me how my school day were.’ I’d insert a full stop after ‘Everybody knows that no one can keep up an act all their life and not get caught’ in the opening paragraph, and another one after ‘but I guess I couldn’t blame it on them’ in the second paragraph. In the bit about the birth certificate, I’d add a full stop after ‘Technically it wasn’t my fault’ and then put a comma after ‘When you have a baby’. Does that make any sense at all?! Ask me if you have any questions. This is all a bit boring, I know, but I thought I’d go into some detail since it’s for your GCSE portfolio. I thought it might help.

    I also think that there is a mistake in the final line of your penultimate paragraph. ‘I had to do it o only for me but for them’ should, I assume, read ‘I had to do it not only for me but for them’. Despite these little points, I think the writing is pretty confident in this piece.

    I also think that the piece might be improved by including some “real” events after the third paragraph. The reader knows that Charlotte finally breaks out, but we don’t see exactly how this happens. Does she talk quietly about how she’s been feeling? Does she cry? Or shout? Who was there when it happened, and what did they say? Where did it happen? These kinds of concrete details can help to anchor a piece of writing in the physical world, and make it feel less abstract. Dialogue would also add a bit of variation to the piece, and show the reader how very good you are at doing other types of writing.

    Anyway, these are all just ideas. Let me know what you think. I do believe that there are some strong moments in this piece, and that the topic is full of potential. Well done!

    Helen

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  2. WHOAAAA urss is really good i luv da metaphorr...clock without hands....lol i myt have to cat u somtimes ini ;)

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  3. Hey, Shani.

    Well done with this piece. The observations are thoughtful, such as: 'Everybody knows that no one can keep up an act all their life and not get caught, well I thought everybody knew. Obviously I was wrong.' It's a mature skill to be able to hint at meaning without being too explicit, and to really observe the way people act. I think you do both well.

    I see that you've already had some advice on little bits of punctuation, so I wont stress those. It helps to read your piece aloud afterwards sometimes, even if it's just under your breath, to pick out little typos or points of grammer. I'm not sure if you do already, but I'd reccommend it. And if you have chance double spacing your work before a read through can make things easier to spot (at least for me). These are just little tips you may already use, I guess, and you deserve to feel proud of your writing, especially your control of long sentences in some parts of this piece. Good stuff.

    I'd be interested to see some dialogue in this piece if you wanted to play around with it some more. Just like hinting at things with '...well I thought everybody knew. Obviously I was wrong' says a lot about something in a short space, conversations are a great way of showing what's happened without further explanation or description. A good place to try that might be in the section opening 'I went back down the next day.' Just a short example of the narrator trying to talk to someone who's being unresponsive maybe, even if it's just fragments of speech without a setting.

    It's been good to read more of our work. I look forward to the next piece. Thanks,

    Andy

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