Friday, 6 February 2009

Task 35; Tick

Just After Sunset by Stephen King

Just After Sunset reminded me of the BBC3 programme Being Human, a plot so predictable that you really don’t expect what actually happens to be so good. In my opinion, King avoided the traditional approach to a horror story which made it even more effective.
King reeled me in instantly because his character is so human. He layers his text with “simple curiosity”, feeding not only his main character with broken pieces of a mystery but the reader as well. He casually drops breadcrumbs for the readers to follow whilst concealing what really lies ahead with the humorous tone that hovers on the surface of his writing. Every time King drops a clue, another piece of the puzzle, he rewinds the story with the rhetorical questions and sarcastic “eye rolls”.

Tick

Dracula fell face down onto the floor – and then she woke up. The library was empty, her hands were freezing, and her book was drenched in thick saliva. What time was it? Late, the library was deserted. The chair legs peeled of a thin slice of wood as she pushed it backwards. Had she fallen asleep? The shiny table lamp flickered in agreement and readjusted its glow.

Droplets of rain continued to have fun sliding down the panes of glass whilst she picked up her bag and books. Was it too late to take them out? Probably not. Her black pumps looked worn down and tired and her feet protested as she made her way towards the front desk. The old caretaker had dimmed the lights completely even though it wasn’t late, and he’d started to switch off some of the overheads that lighted the way out and illuminated the more interesting sections of the library. What the heck, everything was interesting; it was a library. She was falling asleep already. The evening moonlight draped itself like a tablecloth on top of bookshelf after bookshelf, its hypnotic effect made her eyelids rise and fall.
She didn’t even notice the remaining lights turn off one, by one, by one.

There was an empty patch of moonlight behind the reception desk, maybe Mabel had left to get a cup of tea? She placed her books on the desk and reached for her student ID card in her back pocket.

Something fell. Dracula had made a thump but this was something heavier. She steadied her pile of books and listened to the beating coming from the inside of her eardrums. Nothing stirred. But the Espresso coffee machine downstairs did. She sighed.

She hears the scraping of wood coming from somewhere in the library. She freezes.
The one remaining light switches off. She doesn’t breathe.
Tick. Tock. She leans over the desk to call the caretaker.

Tick.
She finds Mabel.

2 comments:

  1. Hi eternity forever,

    I really enjoyed your story extract. I love how Dracula is a student in this library. Brilliant! I think it’s a great idea, and a great idea to make Dracula a woman. I like how it has a teenage feel to it, and that you introduce characters casually - like Mabel. There’s a confidence to your writing, and you ignite your plot in a short space of time.

    Perhaps you could make this longer? If you wrote this out into a whole story I’d like to see a steady progression that leads up to the finding of Mabel. Some clues along the way, and some descriptions of the library. What are the books like? What does she read? You’ve done a great job with the image of the lamp, but perhaps a few more moments like that. Does she bump into anyone while she’s wondering around in there? Does she have friends? What does she eat for lunch?!

    I’d also like to have a better visual picture of Dracula. I want to be able to see this character more. All things that could be developed if this was longer.

    Write more of it!
    Liz

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  2. Hey,

    This is really great - well done.

    I really enjoyed your description of King's techniques too - the 'trail of breadcumbs' and 'eye rolls' are neat observations, described in a creative way.

    The pace of your piece works wonderfully. We are offered description interspersed with questioning thought in a way that never allows us to forget the centre of observation in the narrative. You don't let things get boring for a moment - well done.

    Your figurative language is great too - I loved the 'tablecloth' and the light images.

    Really well done. I look forward to your next piece,

    Andy

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