Friday, 22 February 2008

Dramatic Monologues: Justice


(A woman is sitting in the driver’s seat of an unmarked Volvo car, alone in the middle of street. Its 12o’clock midnight, coming close to 1am in the morning. With a cigarette in her hand, smoking, her red handbag and its contents are sprawled across the seat next to her. Pouring out is an already empty packet of cigarettes and another that is missing a few. She starts to speak.)

Could’ve been easier, you know, just sitting at a desk all day, rambling on into a phone. (Smirks) But I had to do what he wanted. Had to do what he said. Senseless sonovabitch. For crying out loud, what did I ever want from the police force? (Inhales, lays hand on edge of open window) A gun, this friggin’ badge, an excuse from a, proper education. Like it or not, Tina always said I was crazy. Not crazy in general (Inhales again), just crazy to join the police force. I wasn’t ever sure whether she meant both. Why didn’t I listen to her? Justice has blinded me so far, the truth is always hidden when you're a cop. You see fact and ignore instinct.

(A police car speeds by somewhere in the background, its siren wailing. This is followed by the static crackle from the radio, muttering a very faint “Calling Unit 12-V10 to Victoria Street, Fifth Av-.”Before she turns the radio off. )

(Quotes in mimicked voice) ‘Sweetie, you remind me of your dad you know. You’re strong willed. You’ve got that, sense of justice, the one he always had.’ Three bullets during an armed robbery and he ended up lying in unconsciousness before he knew it. Still so strong willed Velmie?
(She looks at her cigarette burning out and throws it out the window, then reaches for another one, lights it and inhales.)
Dad always informed me of the dangers and losses. When I was kid, a teenager, an adult, continuously. I didn’t listen. Then Tina died, and the family, lost it. Dad was getting home later every day stinkin' like hell. Strange actually. Reminds me of myself. (Smirks again) Alex wasn’t any help either. Detective Lieutenant Saunder, with his cold, blue, distilled eyes. That news went around the force pretty fast, like wildfire. (Sighs) He was there when I joined, there when I left, making heads turn wherever he went. That added to the stress that was already piling up. All of my life, leading up to some, jerk. Still blinded by that, sense of justice. (Laughs aloud to herself for a short period of time.)
But that’s why I did it. That’s why I’ve run away. All that. Everything.
That sense of uncertainty surrounding Tina's death that was lacking the truth.


(Pauses, inhales deeply, coughs for a long time.)

There’s blood on the back seat, along with my gun. Murphy was hard to talk to, hard to get loose. (She smiles.) I had to know, had to find out why Tina died, had to see for myself why she jumped. Today. It's been bothering me for so long. She meant the world to me. (Lowers head and looks up again, straight ahead.)
It was when she died, when dad couldn’t remember his own name, and when Alex disposed of me for some slut, that was when I realised. (Faint teardrop runs down cheek)
As far as I think of it, I've got a journey to make.
My gun has lost it's licence, and my resignation has gone through. That day at the bridge, Tina didn't jump. That's one thing, I'm sure about. (Pauses)
Tina had a secret. And it all concluded at that bridge, where she jumped. I'm gonna' find out what happend to her. But the last thing that Murphy said struck me hard;
'She was being watched'.

(She sticks the keys back into the ignition and starts the car again. She inhales her last breath, and throws the butt out of the window and drives off, leaving only the slowly fading light of the cigarette to illuminate that one spot on the street.)

9 comments:

  1. Well Done!!You've really portrayed all the emotions of your character in the monologue.You could feel the tension in the air.Keep up the good work.

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  2. Thanks Shiningstar. ;D
    Currently editing loads of edgy bits I'm finding difficult to thread through the story.
    I appreciate your comments. (:

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  3. Wow eternity forever that was a really powerful portrayal of an ex police officer. You managed really well to imerse yourself in the character, something of which is really admirable. :) xx

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  4. Wow i love it & i would say more but they said it all lool ^^^ but my fave line has to be "You see fact and ignore instinct." I love that :D but jus noticed something, "Dad was getting home later every day stickin' like hell." did u mean 'STINKIN' or have i miss understood the sentence i do that alot lool

    LOVE ITTTT !!!!!!

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  5. Lol! You're right. ;)
    I type too fast. Thankyou!

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  6. Hi eternity forever,

    There are lots of really great, things about this monologue. It's very film noir, a good recent example of this was the film Sin City, which if I remember correctly has lots of monologue in, so it might be worth watching if you haven't already!

    You have a talent for very striking imagery: the volvo, the red handbag, police paraphernalia.

    You also have a really strong, determined character here which is refreshing and good to see. You lead the reader into thinking the character running away is a weakness but reveal it to be a strength. The pause before the 'blood on the back seat' section gives dramatic emphasis. She also has a firm central trait, her determination to find justice, which ties it all together nicely and gives room for plot development.

    However, there are a few adjustments you could make.

    Firstly make sure your punctuation allows the piece to read smoothly, some of your comma placements/sentences are quite angular.

    Where you say her dad was 'stinkin' like hell', I took this to mean he was a drinker, so elaborate on that and the character's back story in general.

    Tina's situation could be dealt with more clearly, of course there is more story to come, but the information we get about her is a little confused. You have to choose your moment to deploy it. This is nothing another draft wouldn't fix.

    You could also go into greater detail about the character's disaffection with police life.

    I'm also not sure who Murphy is or where he come into it. Maybe I've missed it. In a novel or longer script you could obviously come back to this but in a short piece we need details.

    Hope that's useful. Really enjoyable writing though.

    S.

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  7. This is, in many ways, your most ambitious piece to date, and, for the most part, you carry it off with tremendous style and flair. Well done!

    If anything, however, I wonder if you are trying to cram too much narrative material into such a short monologue. As Simon points out, the length of the monologue precludes too much being left to our own guesswork, which I think happens every now and then.

    Also, I echo Simon's point about your commas. Can you figure out the ones we are talking about?

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  8. Thanks Sir, and thank you Simon.
    I agree.
    I think I did try to 'cram' too much into the monologue. I remember at some point, I thought that 600 words might have been too long.
    The commas are a thing I have to work on too. Reading it over now, it looked like as if I stuck a few random ones where I didn't need them. As for her background and the other characters, it was that twist in the plot that I needed the most, which I couldn't find at the time. That was where Tina and Murphy came in. A redraft might straighten things out a little.
    Thank you to you both for your comments anyway. :)

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  9. Hey eternity forever, That was great, I really enjoyed reading it, your really good but you just need to pick up on a couple of spelling mistakes, which i noticed, but dont worry to much, i spelt annonomous wrong anyway so you can say i'm a bit of a do-do as I have no idea anymore of what i'm writing- but the point i'm trying to get across is::: It was really good, well done anononmous- i'll get it right eventually...(i mean anonomous, and how i spell it...)

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